Marcus Campbell Podcast: Difference between revisions
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== Potential Podcasts == | == Potential Podcasts == | ||
=== The New Yorker: Poetry. === | |||
Readings and conversation with The New Yorker's poetry editor, Kevin Young. CONTACT: N/A | |||
Email: audio_production@condenast.com, mediarequests@newyorker.com, themail@newyorker.com | |||
Website: https://www.wnyc.org/shows/new-yorker-poetry | |||
=== Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry. === | |||
Targeting readers and book-loving audiences, this show is ideal for booking authors and literary figures to discuss books, writing craft, and memoir. CONTACT: David Naimon, Milkweed Editions. | |||
Email: '''masie@tinhouse.com, btc.queries@gmail.com''' | |||
Website: https://milkweed.org/between-the-covers | |||
== MARCUS' BIBLIOGRAPHY WITH BRICK CAVE == | == MARCUS' BIBLIOGRAPHY WITH BRICK CAVE == | ||
Latest revision as of 13:15, 20 February 2026
Marcus is an author and Poet at Brick Cave Media. He writes Non-Fiction and Poetry.
Potential Podcasts
The New Yorker: Poetry.
Readings and conversation with The New Yorker's poetry editor, Kevin Young. CONTACT: N/A
Email: audio_production@condenast.com, mediarequests@newyorker.com, themail@newyorker.com
Website: https://www.wnyc.org/shows/new-yorker-poetry
Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry.
Targeting readers and book-loving audiences, this show is ideal for booking authors and literary figures to discuss books, writing craft, and memoir. CONTACT: David Naimon, Milkweed Editions.
Email: masie@tinhouse.com, btc.queries@gmail.com
Website: https://milkweed.org/between-the-covers
MARCUS' BIBLIOGRAPHY WITH BRICK CAVE
My Identity as a Stereotypical Side Character by Marcus S. Campbell
My Identity as a Stereotypical Side Character was composed as a double-sided book or tête-bêche. The style has been previously seen in science fiction and children’s works and in stories where two view-points are often placed side-by-side. In this work, the composition is meant to evoke the duality of the poet.
My Identity as a Stereotypical Side Character and Cold Sodas contain non-contiguous line drawings intended to represent how the decisions of our past paint the course of our present and shape our future. The work is in black and white to reflect the duality of the author.
Cold Sodas
Cold Sodas, the back portion of My Identity as a Stereotypical Side Character, explores the artist as a side character in the lives of others. This collection of stories weaves the personal with the public and the flippant with the poignant through meaningful gleanings taken from some of life’s mundane events.